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WADADA/DEJOHNETTE - NOWA PŁYTA

24.06.09, 04:49
"AMERICA" .....smile
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    • greenfoxy Re: WADADA/DEJOHNETTE - NOWA PŁYTA 24.06.09, 08:50
      Nie taka znowu nowa, ale na pewno znakomita.
      www.rockserwis.pl:8080/serwis.do?menu=main&l=1&pid=107309
      Dwie legendarne postacie jazzu połączyły swoje siły ponad 30 lat
      temu, tworząc wspaniałą uduchowioną muzykę, pełną znakomitych partii
      instrumentalnych. Odrzucony przez wytwórnię ECM album przeleżał na
      półce trzy dekady i ukazuje się dopiero teraz. Płyta została nagrana
      przez artystów w New Jersey, w studiu należącym do Billa Laswella.
      • jasiek_natolin Re: WADADA/DEJOHNETTE - NOWA PŁYTA 25.06.09, 07:45
        No proszę, nie wiedziałem,że to stary material. Myślałem,że duety
        Wadady i Jacka z płyt Złotego Kwartetu ( posłuchajcie sobie
        zwłaszcza tego z ostatniego utworu na płycie The Year of the
        Elephant - to jest sama kwintesencja jazzu)były wstępem do tej
        płyty.A one były raczej ukoronowaniem wspólnego grania . Bo nie
        wiadomo,czy panowie jeszcze razem zagrają.
        No cóż , a za sześć dni koncert stulecia. Miejmy nadzieję.Bez
        Jacka,ale nie on jeden jest świetnym drummerem.
        • jazzmiszcz Re: WADADA/DEJOHNETTE - NOWA PŁYTA 25.06.09, 18:46
          Tutaj trochę o tej płytce :
          Tuesday, June 2, 2009
          Wadada Leo Smith & Jack DeJohnette - America (Tzadik, 2009) *****
          Wadada Leo Smith is without a doubt one of the best jazz trumpeters
          of the moment, and Jack DeJohnette is without a doubt the best jazz
          drummer of the last decades. These two top artists approached ECM
          with their project for a trumpet and drums duo album in 1979, but it
          never materialized then, despite both musicians', and especially
          DeJohnette's, ample releases on the German label. Now, thirty years
          later, the project is there, and what a shame we did not get this
          earlier, and what a joy to hear it now. If anything, Tzadik should
          be remembered for its efforts to give Wadada Leo Smith the voice and
          attention he deserves (including for the re-release of all his
          earlier work).

          I like the concept per se (and see my incomplete list of trumpet-
          drums duets), because of the clear sound of the trumpet in
          combination with the rattling percussion. It has something basic,
          fundamental, essential that a piano-drums duet cannot bring, nor a
          sax-drums duet. It is pristine. Don Cherry and Ed Blackwell gave the
          first example of its power on the highly recommendable "Mu" in 1969.
          This album is not comparable, primarily because Cherry and Blackwell
          had totally different personalities. The joy of life, the childlike
          surprise of integrating new world music concepts in their jazz, the
          fun of interacting and playing music were essential for them. Smith
          and DeJohnette are not like that at all, and nor is their music.
          Both are serious types. Technical professionals of a very high
          level, enjoying the complexities and possibilities of their skills,
          and like Cherry and Blackwell they are very much into the spiritual
          side of their music, but then without a smile, more austere, but not
          less rewarding for the listener. It's like comparing the austere
          Bach with the more playful Mozart.

          This is not Smith's first approach of the concept, and his two other
          releases "Compassion", with Adam Rudolph and "Wisdom In Time" with
          Günter Baby Sommer, both got a 5-star quotation from your humble
          servant. And well, this one too. It's hard to compare the three even
          if the limited line-up is the same, Smith's approach to the music is
          totally different. While "America" still has some of the more
          spiritual and meditative elements of the former CDs, it is expansive
          first and foremost, more accessible, more exuberant, more rhythmic,
          and that is to a large extent DeJohnette's doing. And the drummer is
          brilliant. Inventive, original, hard-driving, subtle, thundering,
          refined, silent, playing up a storm. The breadth of his ideas and
          the perfection in the execution are as usual astonishing. And he
          clearly likes the freedom he gets here, just like on his duo album
          with John Surman some years ago. And Wadada Leo Smith also opens all
          the registers of his skills: from bell-clear tones to murmurs and
          wails, rhythmic phrases or slow contemplative introvert tones. And
          then of course there is the interaction : the total is much greater
          than the sum of its parts. Great musicians, great interplay, great
          ideas, great expressivity, great creativity. Deep and panoramic.

          An absolute "must have" for anyone interested in music. Full stop.

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