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i utwór Bohemian like you
Bardzo proszę o przetłumaczenie tekstu... uwielbiam ten utwór:)
You got a great car.
Yeah, what's wrong with it today?
I used to have one too,
Maybe I'll come and have a look.
I really love your hairdo, yeah.
I'm glad you like mine too,
See we're looking pretty cool.
Getcha!
So what do you do?
Oh yeah, I wait tables too.
No I haven't heard your band
Cause you guys are pretty new.
But if you dig on Vegan food.
Well come over to my work
I'll have...
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hej !
can you tell me which is correct, becuase i'm not sure if i'm right:
a) We've got an exam on monday,so helen and I are going to study together.
She's good at maths and she WILL / IS GOING TO UNDERSTAND all the difficult
bits (in my opinion WILL)
b)are you going to come to town today? Great! what time ARE YOU GOING TO
ARRIVE/ WILL YOU ARRIVE ( mine type is: will)
c)thousands of people will/are going to buy products from wel-mart tomorrow
(mine type:are going to buy)
d)...
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Zabrze ending of seventieth, the meeting of President Communistic Party –
Edward Gierek witch miners from Coal State Holding. The never-ending,
glorious speech broken of ovations in leadership's honour is still on. All of
there are bored and dozing. Next man goes up to the rostrum and ...
“Jom jest górnik z kopalnia <Bytom> i jo sie wos pytom: Kaj jest ta wungiel,
com go fedrujo w kopalnia <Bytom>?...”
Thanks, thanks ... time is over... we will com...
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co znaczy i czym się różni (kiedy się tego używa):
I me my mine
you you your yours
he him his his
she her her hers
it it
we us our ours
you you
they them their theirs
nie było mnie na lekcji a zawzięte kujony z mojej klasy nie chcą mi pożyczyć
zeszytu
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Hello everybody,
Can anybody tell me what the following phrases mean?
I've found them in Eminem's "Lose Yourself".
These hoes don't wnat him no mo, they moved on to
another schmoe who flows. He nose dove and sold nada.
I kept rhymin and stepwriting the next cypher.
Thanks
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...which end in -dous. What are they?
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...erwas!
www.guardian.co.uk/arts/features/story/0,11710,1224052,00.html
www.guardian.co.uk/arts/features/story/0,11710,1224052,00.html